Curator-in-Residence (CIR)
The Curator in Residence (CIR) program aims to tap into a pool of emerging and mid-career curators of color, including marginalized and immigrant artists and gender non-conforming and LGBTQIA creatives, whose approaches address social justice, racial equity, gender equality, participatory activism, environmental justice, and other core tenets that align with the Weeksville legacy. We prioritize curators whose development processes engage the viewpoints and participation of the local community, and whose work and collaborations address critical local issues within a historical, national, or global context.
Each year, one CIR will be chosen for a residency that culminates with an exhibition, installation, or other public-facing project that incorporates a community engagement element. Each curator receives a stipend and is provided with other financial and institutional resources to create and share the work in one or more of WHC’s presentation spaces (e.g. visual art gallery, performance space, green spaces, and/or Historic Houses), with participants encouraged to find innovative ways to activate our 1.5-acre campus. CIRs are provided access to the Weeksville archives and supported to use the research to enhance their project, incorporating links to Weeksville history, as appropriate. Curators work with local artists, residents, and community stakeholders, engaged through focus groups and meetings, to help develop guiding themes and novel modes of inquiry that build relationships with the community. They also participate in WHC’s public arts programming and events, including artist talkbacks and workshops.
Past Curator-in-Residence
Sharifa Rhodes-Pitts
Sharifa Rhodes-Pitts, Weeksville’s inaugural Curator in Residence, is an acclaimed writer and scholar whose work explores the histories, politics, and imaginative worlds of Black communities. She is the author of Harlem Is Nowhere: A Journey to the Mecca of Black America—a New York Times Notable Book, National Book Critics Circle finalist, and one of Bookforum’s best books on New York—as well as Jake Makes a World, a children’s book on Jacob Lawrence commissioned by The Museum of Modern Art.
A 2025 recipient of the Andy Warhol Foundation Arts Writers Grant, Rhodes-Pitts has contributed to monographs on Simone Leigh, Dawoud Bey, Richard Mayhew, and others, and leads the Black Studies minor as an associate professor of writing at Pratt Institute. Through her platform, The Freedwomen’s Bureau, she organizes collaborative public projects rooted in memory, liberation, and cultural stewardship.
During her residency at Weeksville, Rhodes-Pitts curated Homework, an exhibition that turns to the domestic sphere as a site of transformation, imagination, and political possibility. Drawing on thinkers such as Sara Ahmed and engaging Weeksville’s legacy as both a historic settlement and an enduring homeplace, homework brings together photography, sculpture, textiles, and video to consider how private interiors shape public worlds.
Learn more about Sharifa Rhodes-Pitts.


